Nic Bommarito offers seven tracks on Harp Fragments, a postrock release that is filled to the brim with washy pianos and strings, and great big drum sounds. Not afraid to incorporate any instrument at all, the overall style of the album drifts, but not too far, away from postrock and brushes against bluegrass, folk, and classical. Sometimes quiet and thoughtful, Nic’s music can suddenly burst into a cacophonous explosion of drums only to quickly fade back into a quite anesthetic synth line, all the while keeping it together with distant, echoing guitar patterns.
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