
A quiet, moving release of melodic electronica.
Lee Rosevere does his own brand of instrumental funk on this release. With a quirky, retro feel, the six tracks run the gamut from smooth and jazzy to hip-hop to beatles-esque. Top notch drum programming keeps the funkiness in the forefront. Out of the whole set, I think track six, Stormbox, is my favorite, mainly because of the huge drumbreak in the background and the big ol’ fat synth doing weird things in the foreground, but also it’s interesting to hear samples from who knows where fading in and out and sounding all out of place and discordant, and finally the entire track implodes in a synth patch nightmare. This is definitely worth a listen – and if you’re like me, you’ll want to have this blazing out the windows of your car as well.
A quiet, introspective release of ten tracks totaling almost an hour of music. Reminiscent of Orange Crush, this album has a sense of inner peace and calm, merging electronic ideas with pop sensibilities. Rolling guitars washed in echo build and swell alongside synths and drums, with a music box-like sound pervading the entire release.
A pleasant, quiet experience is Halogens Length and Brecht, an ambient track that meanders in and out of the dream-state. This EP is Halogens track along with three remixes, each one a superb take on the original. The remixes cover styles ranging from glitch to chillout to idm. This is a great set of music, don’t miss it.
Nice melodic set of post rock. On their latest album, We vs. Deaths musical ramblings go all over and they aren’t afraid to explore any aural territory. The Dutch five-piece features the standard bass, guitar and drums, plus trumpet and even a concertina. If you’re a post rock fan, you definitely don’t want to miss this.
Paranoid Definition – by the name alone, we are already introduced to a theme of madness, and madness is what we get in these three tracks of dirty, almost industrial electro. Rasping synth patches and relentless hip hop beats overlayed with sounds that could come straight out of a haunted mental institution make for 13 minutes of awesome sound that will get straight into your brain.
Work stinks. Everything is broken, no one does anything right, all the good people are fired. Why am I still here aaaaaaaaaaaargh!!
Xavier Rudd is an Australian folk artist. He plays many instruments, and he shines on the Didgeridoo. Here is a live concert from 2004, a perfect showcase of Xavier’s talent. My particular favorite is his song Let Me Be, a tune I’ve had stuck in my head for years now.