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Messages - bahgheera

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31
Writings / Tales from the Negaverse, Chapter 74.
« on: October 28, 2011, 03:15:16 AM »
There's someone in my house.
I've lived here for years now,
So long I've forgotten when I first came here.
I've been here all this time,
All alone.
No visitors,
No vacuum cleaner salesmen,
No mailmen,
No paper delivery boy,
No census taker.
Just me,
And the dust that filters through the silent sunbeams
Every day.
But today is different
From all the days before,
Because today there is someone else
Inside the house, with me.
I can hear them downstairs,
Making noises,
It sounds like two,
Maybe three,
Talking to each other.
Talking, laughing, normal tones of conversation
As if they belong here.
Opening cabinet doors, looking in closets,
Creaking the floorboards,
Rattling open the window in the front room,
The one I like to sit near in the evenings
To watch the street when it rains,
As if I'm going to see someone I know walk by
Out on the sidewalk.
Now they are turning on the water in the kitchen sink,
That hasn't been used in so long,
That hasn't held a dish or a knife or fork or spoon,
For an age, or maybe two.
I need to investigate,
I need to go down and find out what they are doing,
I need to find out why they are here,
In my house, my fortress.
I turn to vapor, and drift silently
Down the staircase,
Without a sound, and I see them,
But they don't see me.
So I make them see me,
And they never come back.

32
Writings / Life in a nether house.
« on: October 28, 2011, 03:14:42 AM »
She lives in a room
In a house on a hill,
A fantastic entrapment,
A four story victorian nightmare,
Paintings that watch her,
Statues that stalk her,
Trap door, false wall, secret corridor,
Uncast shadows leading lives of their own.
Melancholy are the days,
The night time for wandering,
In her dressing gown,
Upstairs and down.
She spends her time here,
battling gryphon, goblin and goon.
She's lived among the shadows
So long, she's become one of them,
She's the sister of the moon,
And the beauty of her situation,
Can never be seen.

33
The Lyric Warehouse / Re: Ideas for song titles
« on: October 17, 2011, 10:59:12 AM »
Radiologic

Frequencies In A Can

34
The Lyric Warehouse / Life in a nether house.
« on: October 17, 2011, 10:56:52 AM »
She lives in a room
In a house on a hill,
A fantastic entrapment,
A four story victorian nightmare,
Paintings that watch her,
Statues that stalk her,
Trap door, false wall, secret corridor,
Uncast shadows leading lives of their own.
Melancholy are the days,
The night time for wandering,
In her dressing gown,
Upstairs and down.
She spends her time here,
battling gryphon, goblin and goon.
She's lived among the shadows
So long, she's become one of them,
She's the sister of the moon,
And the beauty of her situation,
Can never be seen.

35
Writings / Re: Characters
« on: August 19, 2011, 02:18:39 PM »
The Heart of Mon Minox - a mythical device, possibly a living creature, that grants it's user ultimate power to control the shape of the universe. It was rumored to have been created by the Bena Consortium in the days before the Opening. During the great upheaval that took place after the Opening, it was supposedly lost forever in a region of Nega-space that is beyond the reach of any civilization or form of space travel. It is said that even if someone could find it, it can only be handled by a creature that exists in all 11 dimensions.

Posi-space - a sort of alternate reality that exists in the seven dimensions outside the four that we perceive, in which many civilizations similar to normal space existed just after the time of the Opening. During the great upheaval all life in Posi-space ceased to exist when certain members of the Bena Consortium used the Heart of Mon Minox improperly for their own personal gain.

Nega-Space - a true alternate reality that sprung into being when the Bena Consortium ended life in Posi-space. Not exactly a copy, but not a complete opposite realm from Posi-space, the cultures and people there are very similar to the ones that once existed in Posi-space. There was no contact with anyone in Nega-space, or even any hint that it existed at all, until thousands of years after the time of the Opening.

36
Writings / People of the Stars
« on: March 20, 2011, 12:53:39 AM »
Why did they come here, the people from the stars?
They certainly left behind their lives,
Their loved ones,
Their peace of mind,
To come and experience our insanity.

How did they get here, the people from the stars?
Was it a rocket,
Or maybe a tesseract,
Or a wormhole?
A fiery trip on a pressurized chariot?
Comparable with nothing we can experience, to be sure.

When did they arrive, the people from the stars?
Was it a month ago, or an age?
Were they at Antioch,
Gettysburg,
Rome or Pompeii?
Did they council Da Vinci,
Einstein,
Oswald or McVeigh?

Which star did they come from, the people from the stars?
Castor, or Pollux?
Arrakis, Regulus or Rigel?
Or was it not a star at all,
But a hidden dark dimension,
Where in is out and near is far,
And maybe there,
Is here?

What did they do here, the people from the stars?
Were they content to simply observe,
Or take the hands on approach,
And direct matters
As they saw fit,
Exchanging Epics
For their own contrivances,
Creating an antiquity
Of their own design?

Where did they go, the people from the stars?
Out there,
Out there, the people of the stars.

37
Writings / Re: Characters
« on: February 09, 2011, 03:32:37 AM »
The Brotherhood of Shadows

The Twilight Army

Murk Wen Tourn - Quell's hatchet man and former partner. The partnership was dissolved when Quell discovered Murk's plan to kill him and take command of the Eidolon.

Sulair Rodra Rognet - mousy member of Quell's crew. An expert at getting into small spaces and containers sealed with extreme technology. Also Sulair excels at being undetected in certain situations, and he possesses extreme strength in spite of his physical appearance and demeanor.

38
The Lyric Warehouse / Lessons
« on: October 20, 2010, 01:46:09 AM »
I'm just the guy,
To administer a lesson,
So I'll keep it short,
And no time for questions.

39
Writings / Ectokynamics
« on: October 20, 2010, 01:42:07 AM »
I have recently been studying Ectokynamics under the tutelage of a mentor who shall remain nameless at this time. Ectokynamics is truly the answer to many of life's persistent, unanswered questions. Questions such as 'What were those lights in the sky last night over El Paso?', 'Why do I keep thinking I see someone at the end of the hallway?' and 'Why are waffles round?'


The planes of existence which we occupy are but a small part of the actuality of reality. The actuality of reality is a term used to describe the whole of existence, that which we can see and experience, and that which we can't normally see and experience. But rest assured, there are beings and creatures that do not completely exist in our dimension; that is, they exist right here with us, they can affect us, they can sometimes control us, and most people have no idea they exist. This is where Ectokynamics comes in. A practitioner of Ectokynamics can actually begin to interact with the other planes of existence and the beings that inhabit them. Among the planes of existence is one particular reality, which I will refer to as Negaspace. Negaspace is home to human like creatures called Neutroids. It is the Neutroids that we must be first and foremost concerned with when dabbling in Ectokynamics.


There are several techniques involved in practicing Ectokynamics, and I will give a brief overview of them here.


Technique #1: Mental Refraction


Mental Refraction is a way of calming yourself. Only when you are truly calm can you begin to phase your mind out of this reality and into Negaspace. The way mental refraction works is this: first you must imagine yourself as a beam of light. Imagine the beam of light is not so much like a beam of light, but more like a loaf of bread baked from ingredients made out of the wave-like particles that make up the inter-dimensional fabric that holds the universe together. Now imagine that someone is spreading butter on the bread. Now focus this thought onto a nearby object. When performed properly, the object should take on a distinct green glow; this is your first step on the road to Negaspace! The glowing green object you have created is now a doorway, for lack of a better term, to an alternate reality.


Technique #2: Focal Audio Resonance Technique


Begin by talking to the object you've given your mental refractive energy to. Talk to it in a calm, soothing voice. Give it a name. Lets say our object is cell phone; the name you've picked for your cell phone is Mortimer Nebleth. Tell Mortimer Nebleth that it is the most important object in the universe; in actuality, it is the most important object in the universe as long as it is still resonating with the mental refractive energy that you have given it. As long as it remains in a refractive state, anything that happens to this object affects everything in the universe, in all dimensions.

41
General Conversation / Youtube embed test
« on: May 12, 2010, 05:20:09 PM »
[youtube]9bOiOYxuuRA[/youtube]

[yt]9bOiOYxuuRA[/yt]

42
The Lyric Warehouse / Memories
« on: May 02, 2010, 09:14:26 PM »
The memories you left with me are each one a stricken, moon-pale flower that grows in the spot where you forgot about me.

43
Writings / Burning bridges
« on: April 16, 2010, 02:38:00 PM »
One day I'll burn this bridge that I built from memories of you and me, but for now I'm content to stand at the top and look over the edge, contemplating leaping...

44
Writings / Characters
« on: February 15, 2010, 11:29:41 AM »
Quell - ruthless space pirate / mercenary. Driven by a life-long quest to find a certain object with strange physical properties, but we are never introduced to a detailed description.

Go Bena - an ethereal, mist-like being that at times can take on the form of a person you may know by examining your mind and retrieving the physical and personal aspects of that person.

Ton Bena - related (we are not sure how) to Go Bena; another mist-creature that can take on the shape of anything it wishes. While Go Bena is perceived to be malevolent and hostile towards humans and most other creatures, Ton Bena is not; in fact, Ton Bena seems to take an interest in the affairs of humanoids, humans especially.

Ran Gen - Ran Gen comes from the world of Pol Cama Rei, in the Leste-rei system. Ran Gen and his people resemble what we would think of as a goat; bearing thick fur and a set of horns that curve down behind his ears, the Pol Camain people are misunderstood by humans as a hostile race. In fact, the Pol Camains would prefer to be left alone, but do respond with hostility when encroached upon by members of other races.

Servat 2 - A vaguely humanoid robot, manufactured as a base model service bot. At some point in the past his programming has been compromised; it was modified by another being or he has begun to rewrite his own code, or possibly both. At any rate, Servat operates outside of standard parameters to an extreme point. Not necessarily hostile, nor friendly, his attitude is more of indifference (to anything except his own aims) than anything else.

Nona So - A human whose cerebral cortex has been modified to give the ability of teleportation. A perfect crew member for the pirate who is interested in retrieving things from behind closed, and usually locked, doors.

Old Blind Jon - A human that grew up on a planet far distant from Earth, during the time of The Opening. He accidentally discovered a way from his planet (which is unkown) to Earth, a sort of door, that he fell through. On becoming an adult he realized he had various abilities - chiefly, interdimensional travel, visualizing  a tesseract that has one entry point in his dimension and either eight or sixteen exit points in other dimensions. He also gained incredibly long life (he is thought to be over 1800 Earth-years old) and vision in ranges above and below the part of the spectrum normally visible to humans.

Prevo the Andollocian - a monk from the planet Rama 3. Prevo is indirectly responsible for the cleansing of all life from Posi-space, the region of space outside of space that was discovered and colonized during the time of The Opening. Posi-space is now a desolate, but pristine, remnant of human and other civilizations.

45
Writings / Re: South America 2.1
« on: December 05, 2009, 04:42:53 PM »
I was in a small rowboat on a river somewhere south of Colombia, possibly somewhere along the border of Peru and Bolivia. We had started at Puerto Maldonado on Rio Madre de Dios, headed east, and took a turn to the south along a smaller course, the name of which escapes me at the moment. The end of this smaller, muddy river was where I needed to be, but I wasn't sure if my Peruvian guide could get me there and I couldn't remember why  I was going.

Our boat was barely more than a skiff, but it held the two of us and all our gear. The boat was old, perhaps older than me and my guide put together, had a peculiar odor emanating from it, as though it had accommodated one too many drunken fishermen, and it displayed the multicolored evidence of many coats of paint that had been hurriedly applied over the years. I would say it had an almost mystical quality about it, that kept it afloat more than air tightness did. It was packed fore and aft with all sorts of camping gear and supplies - our two tents, gas stoves, sleeping bags, trail supplies, several types of dried meat, and glass jars with various types of curiously seasoned vegetables in them that I had never seen before but provided excellent subsistence for the aboriginal inhabitants of the area. These latter supplies had been bestowed on us by local folks who had a dark and hidden look in their eye, as if they wished to accompany us on our journey despite their knowledge of what lay at the end of it.

Along the river were thousands of these tribal locals. It was the time of a certain festival, a celebration of some local hero long since departed, and his heroic acts. Many boats were stashed in the mud on either side, and people, families, young ones and old ones alike, splashing and bathing in the moiling light brown water. Each group of family and friends had set up a brilliant display of colorful bits of cloth, strung along a line between two poles, like a clothesline with the most dazzling autumn leaves hung out to dry. The sky was clear, vibrant blue, with the yellow light of the sun casting a perfect light on the celebrators. Our modest craft silently drifted by all of this, drawing the gaze of the people and silencing them from their merrymaking as we passed. Each man, woman and child stopped what he or she was doing and looked in our direction with an expression of regret that an outsider would dare to drift down their rio, to disturb their everyday life with alien curiosity.

Hours later, we had traveled many miles and left the revelers long behind. We came to a narrow spot, where the water became shallower and much much faster. The mountains on either side closed in tight on this spot, looming up above us to the port and starboard with unscalable sheer rock faces that seemed to peer into our very being and warn of the danger that presented itself here. This was when I realized that my friend the oak tree, whom I'd known since an acorn, would not be able to continue along with us. The oak tree was a very different sort of timber from what I'm sure most are familiar with, as he had playing cards growing at the end of his branches rather than acorns. Long ago I had watched an old man plant the very acorn that this tree had grown from, and perform some sort of noisy and animated ritual over it that gave it a very divergent life from all it's arboreal cousins.

I held on to my friend's branches, and as we squeezed through the narrows, I slowly began to lose my grip. The rapids grew and applied more and more pressure on our tiny vessel, and in the end I lost my friend. As the branches slid out of my grasp though, forty playing cards were plucked and left in my hand. We hurtled over the last bit of white water, which was more of a waterfall, a straight drop of almost thirty feet, during which we lost most of our gear and the boat sustained some slight damage to the bow, which didn't seem to make much difference in it's float-worthiness.

But the playing cards remained in my hand; forty of them. An Italian deck. I wrapped them up in a piece of paper that had miraculously remained dry through the recent ordeal, intent that there was a special purpose for them in the near future.

We picked up the boat to carry it over a stony, shallow area where the water was abnormally clear and slow moving, as though it had lost its energy and needed to rest before continuing. When we set the boat down for a bit to rest, I noticed that my guide had walked a few yards into the woods and was reciting some sort of lilting, repetitive poetry. I followed him over into a clearing and was immediately struck by the serene beauty of this particular location. Perhaps this was the spot that we had come to find? Maybe this was the end of our journey and I would finally accomplish my objective.

I came to realize that he was summoning small colorful birds and other animals that I couldn't quite recognize, and each of these was made of thin tissue paper. The tissue creatures descended slowly and quietly, in the manner of snowflakes; there was a strange light through the tops of the trees, rays of arcane luminosity that highlighted the dust particles that danced and capered in the air, as well as the vivid, almost over saturated autumn colors of the leaves on the ground and still on the trees. There was no sound whatsoever, and for a moment I wondered if I had actually suffered damage to the delicate inner workings of my ears during our trials on the waterfall. But soon I realized that it was a deathly silence that I was experiencing, one like I had experienced never before, and not since.

I remembered my pack of playing cards and removed them from the paper wrapper. As each amalgamate of plant and animal descended, I laid a card by it's resting place in the leaves. As I was doing this, I noticed a small white and black striped spider on my right hand. It was a singular specimen of arachnid, with noticeable tufts of dark hair or fur along the end of each of it's front legs. It was extremely fast, dodging my attempts to brush it off, and tenacious as well for neither could I shake it off. It bit me, very like a mosquito, and as I tried to brush it off, another appeared further up my arm. And then another, and another, now three more, then ten, until there were thousands of them covering me, biting, filling me with horror, dread and venom. I screamed at my guide, but he was nowhere to be found.

Now how I got out of that predicament, little ones, I'll have to leave to your imagination. For now it is time for me to return to my native land and discuss the strange noises that have been coming from the great stone giant...

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